Jay Kelly was born in California in 1975 and graduated from UCLA with a BA in Sociology in 1997. He settled in Venice, California, began a career in graphic design, and taught himself to make art — starting with figurative collage in the late 1990s. The process he has developed over more than two decades involves hand-tearing thousands of pieces of vintage magazines, novels, and art history books and gluing them one by one to build shadows, highlights, and the full tonal range of a near-photorealistic image. From across a room his collages read as photographs or paintings. Up close they reveal strata of mid-century advertising, fragments of text, and the particular yellowing and condition of old paper. Each title is drawn from text that found its way into the finished piece.
He works in several distinct series. His Nature Series — bears, wolves, elk, birds — uses LIFE Magazine imagery from the 1950s and '60s to build wildlife portraits in which the animals emerge from the visual language of postwar American optimism. His Vintage Fashion Series works with old Vogue models and the textures of mid-century editorial photography. His Ocean and Flag Series extend the same logic into landscape and symbol. Across all of them the methodology is identical: the source image is chosen for balance, depth, and visual intrigue; then it disappears into the labor of reconstruction, one torn fragment at a time. The finished piece is sealed under resin or satin varnish, which unites the fragments and adds a final depth to the illusion.
He has had solo exhibitions in Los Angeles, New York, Aspen, Park City, and Miami, and has shown at major international art fairs including SCOPE Miami, the LA Art Show, Art Basel Miami, the Seattle Art Fair, and Affordable Art Fair in New York, London, Hong Kong, Melbourne, and Singapore. He is represented by Axiom Contemporary in Santa Monica, Claire Carino Contemporary in Boston, Simon Breitbard Fine Arts in San Francisco, Whistler Contemporary Art Gallery, Art Project Paia in Maui, and J GO Gallery in Park City — his Park City connection runs deep, with solo and group exhibitions there going back to 2009. His work has appeared in hotels and restaurants in Los Angeles, Chicago, and New York, and in the cult film Donnie Darko. The eleven works at JG are limited edition prints in editions of 25, available by inquiry.
I chose to paint with paper and various printed materials in order to achieve a unique depth in my work. By allowing the viewer to first see a complete, near photorealistic image from a distance, and then, upon a closer look, to explore the many individual textures and bits of text, I am able to add layers of meaning to each piece.
